{"id":11939,"date":"2022-04-05T14:27:22","date_gmt":"2022-04-05T11:27:22","guid":{"rendered":"https:\/\/ihm.com.tr\/?p=11939"},"modified":"2022-04-05T14:27:22","modified_gmt":"2022-04-05T11:27:22","slug":"istiklal-caddesinin-sembolune-atm-golgesi","status":"publish","type":"post","link":"https:\/\/www.ihm.tr\/tr-int\/istanbul\/beyoglu\/istiklal-caddesinin-sembolune-atm-golgesi\/11939\/","title":{"rendered":"\u0130stiklal Caddesi&#8217;nin sembol\u00fcne ATM g\u00f6lgesi"},"content":{"rendered":"<p>ATM kabini nedeniyle heykeli g\u00f6rmek olduk\u00e7a zorla\u015ft\u0131. \u0130stanbul \u00dcniversitesi-Cerrahpa\u015fa Seramik ve Cam Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc Ba\u015fkan\u0131 Prof. Dr. \u00dczlifat \u00d6zg\u00fcm\u00fc\u015f, &#8220;Bizim i\u00e7in \u00e7ok de\u011ferli bir heykel, parasal kar\u015f\u0131l\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclemez&#8221; dedi. Heykeltra\u015f Atilla Onaran&#8217;\u0131n k\u0131z\u0131 Elif Onaran ise babas\u0131n\u0131n yapt\u0131\u011f\u0131 heykellerin baz\u0131lar\u0131n\u0131n yeterince korunamamas\u0131 nedeniyle hukuki s\u00fcre\u00e7 ba\u015flatt\u0131\u011f\u0131n\u0131 belirterek, &#8220;Babam, heykellerinin \u00f6n\u00fcnden a\u015f\u0131klar ge\u00e7sin, gen\u00e7ler ge\u00e7sin isterdi&#8221; diye konu\u015ftu.<\/p>\n<p>\u0130stiklal Caddesi&#8217;ne 1975 y\u0131l\u0131nda yerle\u015ftirilen ve T\u00fcrkiye&#8217;nin ilk paslanmaz \u00e7elik heykellerinden biri olan G\u00f6kta\u015f\u0131 heykeli, ATM kabinlerinin g\u00f6lgesinde kald\u0131. Heykeltra\u015f Atilla Onaran taraf\u0131ndan uzay temas\u0131 ile haz\u0131rlanan G\u00f6kta\u015f\u0131 heykeli, T\u00fcrkiye&#8217;deki 12 paslanmaz \u00e7elik heykellerden biri olma \u00f6zelli\u011fini de ta\u015f\u0131yor. G\u00f6kta\u015f\u0131 heykelinin yan\u0131na \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi taraf\u0131ndan para \u00e7ekme makineleri i\u00e7in 3&#8217;l\u00fc kabin yerle\u015ftirildi. ATM kabini y\u00fcz\u00fcnden heykeli g\u00f6rmek olduk\u00e7a zorla\u015ft\u0131, g\u00f6rsel kirlilik olu\u015ftu.<\/p>\n<p><strong>&#8220;B\u0130Z\u0130M \u0130\u00c7\u0130N \u00c7OK DE\u011eERL\u0130 B\u0130R HEYKEL, PARASAL KAR\u015eILI\u011eI D\u00dc\u015e\u00dcN\u00dcLEMEZ&#8221;<\/strong><\/p>\n<p>G\u00f6kta\u015f\u0131 heykelinin \u00f6nemini anlatan \u0130stanbul \u00dcniversitesi-Cerrahpa\u015fa Seramik ve Cam Tasar\u0131m\u0131 B\u00f6l\u00fcm\u00fc Ba\u015fkan\u0131 Prof. Dr. \u00dczlifat \u00d6zg\u00fcm\u00fc\u015f, &#8220;Bu konuda 1982 y\u0131l\u0131nda bir y\u00fcksek lisans tezi yapt\u0131m. \u0130stanbul&#8217;daki heykelleri tek tek dola\u015ft\u0131k ve resimlerini \u00e7ektik. O zaman \u0130stanbul i\u00e7erisinde \u00e7ok miktarda heykelimiz vard\u0131, onlar\u0131n \u00e7o\u011fu maalesef yok oldu. Kiminin malzemesi dayan\u0131ks\u0131zd\u0131, kimi metal oldu\u011fu i\u00e7in \u00e7al\u0131nd\u0131. Elimizde daha az bir k\u0131s\u0131m kald\u0131. G\u00f6kta\u015f\u0131 heykeli, Cumhuriyetin 50. y\u0131l heykellerinden biri de\u011fil ama onu takip eden y\u0131llarda yap\u0131l\u0131yor. Yap\u0131m tarihi 1975 ve paslanmaz \u00e7elikten yap\u0131l\u0131yor. \u0130stanbullunun heykelle tan\u0131\u015fmas\u0131 ve heykeli sevmesi sonucu mimari yap\u0131tlar\u0131n \u00f6n\u00fcne birer heykel tasarlan\u0131yor. Heykel ve mimari bir arada bir b\u00fct\u00fcn olarak d\u00fc\u015f\u00fcn\u00fcl\u00fcyor. Baz\u0131 mimari yap\u0131larda da zaten seramik panolar oluyor. G\u00f6kta\u015f\u0131 heykeli onlardan bir \u00f6rnek, soyut bir heykel zaten. O zamanlar soyut heykeller \u00e7o\u011funluktayd\u0131. Bug\u00fcn bu heykellerin bir k\u0131sm\u0131 y\u0131k\u0131ld\u0131, bir k\u0131sm\u0131 ise yerlerinden edildi. Bizim i\u00e7in \u00e7ok de\u011ferli bir heykel, bir parasal kar\u015f\u0131l\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fclemez. \u015eehrin i\u00e7erisinde yer almalar\u0131 da bu kentle b\u00fct\u00fcnle\u015fti\u011fini g\u00f6steriyor&#8221;dedi. <\/p>\n<p><strong>&#8220;BABAM HEYKELLER\u0130N\u0130N \u00d6N\u00dcNDEN A\u015eIKLAR, GEN\u00c7LER GE\u00c7S\u0130N \u0130STERD\u0130&#8221;<\/strong><\/p>\n<p>1976 y\u0131l\u0131nda \u00f6len Heykeltra\u015f Atilla Onaran&#8217;\u0131n k\u0131z\u0131 Elif Onaran, babas\u0131n\u0131n yapt\u0131\u011f\u0131 heykellerin yeterince korunmamas\u0131 nedeniyle hukuki s\u00fcre\u00e7 ba\u015flatt\u0131\u011f\u0131n\u0131 belirterek, &#8220;Babam, T\u00fcrkiye i\u00e7in \u00e7ok \u00f6nemli bir sanat\u00e7\u0131. O zaman d\u00fcnyada say\u0131l\u0131 paslanmaz \u00e7elik heykel yapan sanat\u00e7\u0131lardan birisiydi. Heykeller hibe olarak yap\u0131ld\u0131. Hi\u00e7biri sat\u0131lm\u0131yor, bu heykellerin kimseye maddi k\u00e2r sa\u011flayacak durumu yok. G\u00f6kta\u015f\u0131 heykeli, Odakule&#8217;ye hibe edildi. Vefat etmeden a\u00e7\u0131lan bir sergisinde bu heykel te\u015fhir edilmi\u015fti. Uzay temas\u0131yla yapt\u0131\u011f\u0131 birtak\u0131m heykeller bunlar. Anneme kal\u0131rsa G\u00f6kta\u015f\u0131 heykeli, babam\u0131n onun i\u00e7inde patlayan sevgisinin bir sembol\u00fcyd\u00fc. Babam kendi r\u00f6portaj\u0131nda G\u00f6kta\u015f\u0131 heykelini yaparken &#8216;\u0130\u00e7imdeki yaln\u0131zl\u0131\u011f\u0131 da payla\u015ft\u0131m&#8217; diyor. Benim hukuki s\u00fcre\u00e7 ba\u015flatt\u0131\u011f\u0131m ba\u015fka heykeller var, \u00e7\u00fcnk\u00fc babam\u0131n heykelleri korunam\u0131yor. Birdenbire gidiyorsunuz, oldu\u011fu yerde heykel yok olmu\u015f. Heykellerin tekrardan tespit davalar\u0131 yap\u0131lacak, s\u00f6zle\u015fmeler yenilecek. \u00c7ok ac\u0131kl\u0131, biz bu tip \u015feyleri \u00e7ok ya\u015fad\u0131k, \u00e7ok yaz\u0131k. Babam i\u00e7in bunlar onun ruhunun par\u00e7as\u0131yd\u0131. &#8216;Bunlar\u0131 satarsam ruhumu sat\u0131yorum gibi hissederim&#8217; derdi. Heykellerinin \u00f6n\u00fcnden a\u015f\u0131klar ge\u00e7sin, gen\u00e7ler ge\u00e7sin isterdi&#8221; \u015feklinde konu\u015ftu.<\/p>\n<p><strong>&#8220;B\u0130R SANAT ESER\u0130N\u0130N BU \u015eEK\u0130LDE ARKA PLANDA TUTULMASI \u0130\u00c7LER ACISI&#8221;<\/strong><\/p>\n<p>Sanat eserinin \u00f6n\u00fcnde ATM&#8217;lerin bulunmas\u0131na tepki g\u00f6steren Olcay Er, &#8220;\u00dclkemiz geli\u015fmekte olan bir \u00fclke. Ancak k\u00fclt\u00fcrel olarak ekonomideki geli\u015fmeyi paralel \u015fekilde yakalayam\u0131yor. Bu durum miras\u0131m\u0131za sahip \u00e7\u0131kmamam\u0131za yol a\u00e7\u0131yor. \u015eehirlerin bir haf\u0131zas\u0131 var. Bu haf\u0131zalar\u0131 ekonomiyi geli\u015ftirmek isterken yok ediyoruz. Bu ATM de ekonominin bir sembol\u00fc. \u00dcz\u00fcl\u00fcyoruz, yaz\u0131k olmu\u015f. Bu kadar k\u0131ymetli bir sembol olmasa dahi bir sanat eserinin bu \u015fekilde arka planda tutulmas\u0131 i\u00e7ler ac\u0131s\u0131&#8221; ifadelerini kulland\u0131.<\/p>\n<p>Birol Is\u0131rgan ise yetkililere seslenerek, &#8220;ATM&#8217;lerin en k\u0131sa zamanda kald\u0131r\u0131lmas\u0131 laz\u0131m. Bunlara de\u011fer vermemiz laz\u0131m ama b\u00f6yle durumlar ger\u00e7ekten s\u0131k\u0131nt\u0131l\u0131&#8221; diye konu\u015ftu.  <\/p>\n<p>\u00d6te yandan \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi&#8217;nden konuya ili\u015fkin bir a\u00e7\u0131klama yap\u0131lmad\u0131.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Beyo\u011flu&#8217;nda \u0130stiklal Caddesi&#8217;ne  47 y\u0131l \u00f6nce konulan G\u00f6kta\u015f\u0131 heykeli, ATM g\u00f6lgesinde kald\u0131. Heykeltra\u015f Atilla Onaran taraf\u0131ndan uzay temas\u0131 ile haz\u0131rlanan G\u00f6kta\u015f\u0131 heykelinin yan\u0131na \u0130stanbul B\u00fcy\u00fck\u015fehir Belediyesi&#8217;nce ATM&#8217;ler i\u00e7in 3&#8217;l\u00fc kabin yerle\u015ftirildi<\/p>\n","protected":false},"author":6,"featured_media":11941,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[1133,167,480,73],"class_list":["post-11939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beyoglu","tag-atm","tag-beyoglu","tag-istiklal-caddesi","tag-manset"],"_links":{"self":[{"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/posts\/11939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/comments?post=11939"}],"version-history":[{"count":1,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/posts\/11939\/revisions"}],"predecessor-version":[{"id":11942,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/posts\/11939\/revisions\/11942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/media\/11941"}],"wp:attachment":[{"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/media?parent=11939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/categories?post=11939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ihm.tr\/tr-int\/wp-json\/wp\/v2\/tags?post=11939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}